The suona is a type of shawm that originated in Northern China and eventually spread across China for use in military, wedding, folk and opera music. After World War II, local entrepreneurs around the world started setting up their own record companies. Tsing Ping is one of the many Chinese-owned labels that emerged in this period, many of which were based in Chinese immigrant communities throughout Southeast Asia. Stay tuned, there will be a few surprises in July… First up is a record on the Num Sing label, This one is for fans of chaotic percussion and players of trash can lids! Thanks to Patrick for adding these details via the comments section. Golden Star Records from Hong Kong.


Your guide to antique pottery marks, porcelain marks and china marks Noritake China: They initially produced a full range of china marked with the Nippon mark and also sold china in-the-white, ie; blanks for decorating by outside agencies and decorators, thus the quality of the earlier finished product can vary. They registered their first Noritake back stamp around and registered their first Noritake mark in the USA around Genuine Examples of Noritake China Scroll through as we present a few examples of antique china by Noritake, showing the range of decoration used, the forms and the associated Noritake China marks on the piece.

Noritake China is Highly collectible The above and below examples are taken from the antique-marks collection and we regularly buy and sell Noritake china, particularly examples from the s and the Art Deco Period. There is high demand for good quality pieces, even with some wear to the handles, which is quite common, and they can fetch good prices.

Dating & Identifying Japanese Lustreware You may have this stunning tea set we have in the shop this week. It’s from a deceased estate, and has no markings of any kind on the base.

Perfect for a variety of uses, this tray can be used to serve drinks, hold two CW6 decanters as shown or as an “in and out” box at a desk. Over the years, this tray has been made by a number of Colonial Williamsburg licensees including: Handcrafted in mahogany, this beautiful tray features a wonderfully scalloped handle and scalloped sides that are masterfully dovetailed at the corners.

Originally used in the Raleigh Travern at table setting time, this tray also can be used for display as well as storage on a sideboard, dining table or desk. With exquisite turnings, solid base and tray top, this mahogany candlestand is both useful as well as ornamental. It is made of solid mahogany and features a graceful scallop and heart motif. Wonderful for display in a kitchen or breakfast room, this spoon rack is highly desired by the collectors of Williamsburg accessories.

Stieff made numerous pieces from which we have a fine selection to choose including, pitchers, sauce boats, and more. This coffeepot with its straight spout and straight tapered sides contrasts dramatically with the curves of its ebony side handle. The melon-shaped body of this Williamsburg reproduction teapot is balanced by the sweeping curve of its ebony handle and enhanced by delicate hand engraving around its lid which is topped by an ornamental finial.

Also known as a gravy boat, it makes a most elegant statement for dining.

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The Brass Candlestick iraq, 11th century This brass candle stick from 11th century Iraq is the third Islamic artifact to inspire my collection. Candlesticks were one of the most common types of utilitarian objects produced in the form of luxury metalware in Khorasan, Iran and Iraq. They are cast with the sides of the shoulder characteristically chamfered, while beneath the shoulder the base expands gradually outward toward the wide, splayed bottom.

Decorations were usually made on the band near the base and on protruding section to neck, with repeating geometric designs notably interlacing roundels and alternate lotus-like palmettes and figures.

Most figures dating from to are made by pressing two moulds together and this can be confirmed by the presence of a seam down the side of the item. Later items were made from a slip cast process (a modern technique) and there will be no seam join as .

Their Islamic faith altered the course of Spanish Culture. An Arabic inscription at the base of the lid includes the name of the artist, Khalaf, who signed other works from the caliphal court, one of which bears the date The inscription also states that the container was intended for musk, camphor, and ambergris. Among the most prized works by Muslim artisans were fine silk textiles of which the Hispanic Society holds several important fragments from the 13th to 15th centuries, including one from a tunic ca.

Another important textile is a goat-hair armorial carpet ca. Originating from Granada, and possibly made for the Alhambra, is a fine marble capital ca. These tiles, with their Islamic interlace designs, are a testament to the cultural exchange that occurred between Jewish and Muslim communities in medieval Spain. The tin-glazed lusterware produced at Manises near Valencia, Muel, and Catalonia shows the passing of Islamic influence into Christian Spain. This style gave way to different trends in pottery decoration later in the century, often combining Islamic designs with Gothic and Christian motifs as well as Spanish and Italian coats-of-arms, including that of Queen Isabella I of Castile and King Ferdinand II of Aragon.

Other ceramics in the collection of Islamic influence include a large 15th-century earthenware jar glazed in green, black, and white made at Teruel Aragon ; and two large glazed-earthenware plates from Seville ca.

Ceramic art

Some ceramic products are regarded as fine art , while others are regarded as decorative , industrial or applied art objects, or as artifacts in archaeology. They may be made by one individual or in a factory where a group of people design, make and decorate the ware. Decorative ceramics are sometimes called “art pottery”. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat.

It excludes glass and mosaic made from glass tesserae.

Czechoslovakia is a popular term with collectors. The name, first used as a mark after the country was formed in , appears on glass and porcelain, and other decorative items.

George Mason University March This website offers an image database of an important Islamic art form: Images of all pieces of Islamic ceramics, spanning the Islamic period 7th th centuries , represent Egypt and other areas of the Middle East such as Iran and Turkey that were important ceramic production sites, making this an excellent resource for classroom use. Ceramics are a central, if often neglected, art form of the Middle East and North Africa. Because of its ancient civilizations, this area has a long history of ceramic production.

In the Islamic period, conquests and trade within the region and beyond resulted in technological innovations such as metallic glazing, a wide color palette, and the imitation and adaptation of Chinese production techniques long before these innovations reached the West. Despite the frailty of the medium, examples of these important, early ceramics often survived unscathed and are found in museums the world over.

The biggest collections, however, are still in the Middle East and North Africa. Ceramics constitute a valuable source of information on many aspects of human civilization and society, such as economics, art, technology, and domestic life. Islamic ceramics additionally serve as important evidence of secular or non-religious art in Islam. For example, although representation of the human figure was forbidden in Islamic religious art, products intended for domestic use—such as ceramic plates, cups, and bowls—often featured human figures, along with the calligraphy and more abstract vegetal and geometric designs usually associated with Islamic art.

The homepage links to Arabic-, English-, and French-language versions of the site.

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Dish with bird, in Islamic-derived style, Orvieto , ca. The colours are applied as metallic oxides or as fritted underglazes to the unfired glaze, which absorbs pigment like fresco, making errors impossible to fix, but preserving the brilliant colors. Sometimes the surface is covered with a second glaze called coperta by the Italians that lends greater shine and brilliance to the wares. In the case of lustred wares, a further firing at a lower temperature is required.

Kilns required wood as well as suitable clay. Glaze was made from sand, wine lees , lead compounds and tin compounds.

A remarkable vintage ceramic lusterware ashtray dating back to the s. This ash tray depicts a black swan with its wings raised sitting on the base. The area between the swan’s wings acts as small matchbox holder (or could hold a few cigarettes). The ashtray is accented with 6 gold painted.

Press Room Ceramics Galleries The Ceramics Galleries offer visitors a unique opportunity to view seven centuries of the ceramic arts of Spain and Latin America, encompassing lusterware, faience or tin-glazed earthenware, burnished earthenware, and porcelain. Some of the finest examples to be found anywhere of the famous Islamic-influenced lusterware produced at Manises Valencia occupy pride of place in the first gallery. At the height of its popularity in the 14th and 15th centuries, Spanish lusterware with its lustrous metallic glazes was the most prized of all European ceramics.

A broad array of pieces dating from the 15th through 18th centuries from Muel and Barcelona complete the presentation of lusterware. Additional Medieval ceramics include two marvelous plates ca. Dozens of representative examples are on exhibition, including 15th-century cuerda seca figural and Islamic-influenced interlacery tiles in matte glazes, along with 16th-century cuenca tiles in polychrome and luster glazes.

Japanese Porcelain Marks

The Japanese have one of the longest continuous ceramic cultures in the world, with the earliest ceramics dating to around 10 BC. Tea ceremony from the 15th century The popularity of the tea ceremony from the 15th century fostered an aesthetic appreciation of ceramics, especially imported Chinese wares, which became valued as works of art. The strong demand for ceramics resulted in a surge of creativity during the Momoyama period , with thousands of kilns developing their own distinct regional characteristics.

High-fired stoneware were central to this tradition. Ri Sampei, the “father” of Japanese porcelain After the Japanese invasions of Korea in and , a number of skilled Korean potters who had learned from the Chinese how to produce fine porcelain, were brought back to Japan.

LUSTERWARE OF SPAIN BY RICHARD H. RANDALL, JR. Assistant Curator of The Cloisters The Museum’s collection of ceramics has been greatly enriched recently by the purchase of dating as early as the twelfth century, but those in Spain, and later those of Italy, were made without lids. They were closed by tying a piece.

Sumida Noritake Morimura Bros. Nippon Toki Kaisha factory from a picture inside of a Noritake bowl dated February 19th, , commemorating the new Showa emperor Hirohito’s visit to the Nagoya factory in his second year on the throne. On the inside the picture is surrounded by the newly invented lusterware surface. Mark – RC – “Royal Crockery” on top of a Yajirobe toy of balance symbol, symbolizing the balance in management.

Registered in for domestic use Japan. Pictures courtesy of Bill Little, However very well known, ‘Noritake’ as well as ‘Nippon’ are brands and products produced or sold by the Morimura Company of Japan.

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Ceramic art facts QR Code Etruscan: Diomedes and Polyxena, from the Etruscan amphora of the Pontic group, c. It may take forms including art ware , tile , figurines , sculpture , and tableware. Ceramic art is one of the arts , particularly the visual arts.

What Is Antique Czechoslovakia China? Antique Czechoslovakian China refers to glassware, pottery, porcelain and semi-porcelain made between and The style is characterized by bright colors and glassware, molded into a variety of shapes, that is decorated by beads and often depicts flowers.

Pre-modern wares[ edit ] Lustre decoration was first used as a glass -painting technique. Staining glass vessels with copper and silver pigments was known from around the 3rd century AD, [4] although true lustre technology probably began sometime between the 4th and 8th centuries AD. The reminiscence of shining metal, especially gold, made lustreware especially attractive. While the production of lusterware continued in the Middle East , it spread to Europe through Al-Andalus.

In the 16th century lustred maiolica was a specialty of Gubbio , noted for a rich ruby red, and at Deruta. Unlike other Persian wares of the period, these use traditional Middle Eastern shapes and decoration rather than Chinese-inspired ones, and also do not take their shapes from metalware. Designs featured plant forms and animals, and generally flowed freely over the whole surface, typically taking up over half the surface area. Production, which was never large, appears to have mostly been from about to , but with rather inferior wares produced into the 19th century.


But we look at this story backwards, from its results. Anything other than green replicating jade or white replicating silver belonged in tombs. Shiploads of southern Chinese stoneware, mostly bowls, were sent to the Abbasid Caliphate in large re-useable ceramic jars.

We work out the trending price by crunching the data on the product’s sale price over the last 90 days. New refers to a brand-new, unused, unopened, undamaged item, while Used refers to an item that has been used previously.

Hundreds of potters were busy producing decorative and functional wares for the exploding population. Many of these wares were mass-produced and marketed to the ordinary working family. High quality tableware and decorative items were made for the more aspiring and affluent middle and upper classes. Large country homes and elegant town houses occupied by the new industrialists, financiers and rural elite who wishes to impress bought fine examples of pottery from the classic potters of the time such as Spode, Davenport, Masons, Mayer, Wedgwood, Herculaneum, Don and countless other factories.

Underglaze blue and white transferware was very popular and much produced by numerous factories often illustrating idyllic rural scenes and romantic ruins in foreign lands. These pieces can form a stunning assemblage and are often used by interior designers to create a statement in a room. The pink splash lustre decorated pitchers are made in the North East of England in the Newcastle and Sunderland area.

The silver lustre ware was produced mainly in Staffordshire and Yorkshire. C The 19th century saw a massive expansion of the population in Britain a country at the height of its power due to the impact of the industrial revolution and successful military and naval campaigns.

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The following items can be found on the A2Z Military Collectables website , with full descriptions, photographs and prices. This one is made of solid bronze and awarded to native bearers and servants; it has two clasps, the Tirah and the Punjab Frontier This medal is in excellent condition but all the naming has been erased; but both clasps are correctly attached and it comes on its original ribbon.

A very fine medal, a superb gap filler. Original American civil war period black leather ammunition pouch.

During the periods there were a number of Staffordshire factories producing these luster pieces. Attribution to specific potters was not really possible since most luster ware pieces of this vintage were unmarked. Passion For The Past Antiques & Collectibles is an online antiques and collectibles shop with a physical shop located in Historical Parkdale a major antique store districts.

Many years ago when rooms were lit only by oil lamps and candles, people loved to have things around them that shone and glowed in this soft light. Wealthy people had their silver and glass, their burnished fire-dogs,their gilded furniture: One of these was by having lustred pottery and china on their shelves and mantlepieces reflecting the light from the fire into dark corners and recesses.

In England all sorts of pieces were made in lustre but the finest lustre ware was made in Italy and Spain in the fifteenth and sixteenth centuries There are four principle classes of lustre ware: It was made by applying a metallic solution to the surface of a piece of pottery before the final firing. The metals gold, copper, and platinum were chemically dissolved and applied with a brush or by dipping.

Exhibition charts Christian history in MidEast

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